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ph260418_03.jpg Phish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NVPhish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NVPhish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NVPhish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NVPhish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NVPhish - 05-02-2026 -  My Friend My Friend - The Sphere (The Venetian, Las Vegas, NV)ThumbnailsPhish - Frankenstein  05-02-26  Sphere  Las Vegas, NV




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SATURDAY 04/18/2026




Venue: SPHERE

Location: Las Vegas, NV



SET 1



Buried Alive, AC/DC Bag, Reba, Colonel Forbin's Ascent > Fly Famous Mockingbird,
Sigma Oasis, Walk Away, Bathtub Gin



SET 2



Oblivion, Simple, Tweezer, Waste, Twist, Run Like an Antelope



ENCORE



I Am the Walrus, Tweezer Reprise



SHOW NOTES




Trey teased "Streets of Cairo" during Buried Alive.
Colonel Forbin's Ascent and Fly Famous Mockingbird featured elaborate
Gamehendge-focused animation, including depictions of Icculus, the Lizards, Tela, and a multi-beast.




During Sigma Oasis, the perspective shifted to a view from inside a bird egg,
which eventually hatched to join two baby birds in a nest with a majestic mountain view behind them.
After a short time, a parent arrived with a meal, earning great approval from the babies.
As the jam reached a peak, the view followed the young birds as they jumped from the nest
and soared through the valley.




Before playing Walk Away, Trey acknowledged Joe Walsh, who was in attendance,
and told him that his music was some of the first songs the band members ever played and that
“the basis for everything that we do is you.”




During Tweezer, the perspective began by following a car on an amusement park ride
as it entered a giant mouth and was swallowed. Eventually the view reached the “stomach,”
where pipes and waterfalls emptied into a central pool containing several rubber ducks.
Later in the jam, the scene reached a large room encircled with fans and a breathing set of lungs
suspended from the center. Ultimately the view returned to the mouth, lingering on the tongue
which was set with furniture, before a wrecking ball outside shattered the teeth as the jam concluded.




During Run Like an Antelope, viewers were taken inside a honeycomb hanging on a tree,
passing through corridors to a chamber with honey dripping from the ceiling into a honey lake below.




Fish performed the second set and encore wearing a hot pink wig.