SET 1: Peaches en Regalia, Take the ‘A’ Train > You Enjoy Myself -> Golgi Apparatus > Slave to the Traffic Light > The Chase[1] > Fluffhead -> Dave’s Energy Guide > Possum
SET 2: David Bowie, AC/DC Bag > Divided Sky > McGrupp and the Watchful Hosemasters > Clod > Makisupa Policeman
[1] First known performance outside of Lushington.
This show marked the first known performance of The Chase outside of Lushington. This setlist is likely incomplete.
SET 1: AC/DC Bag, Fluffhead, Sneakin’ Sally Through the Alley, Divided Sky, Wilson, David Bowie, Lushington[1] -> Possum, Big Black Furry Creature from Mars, Makisupa Policeman, Timber (Jerry the Mule), Shaggy Dog, You Enjoy Myself
[1] No lyrics.
Lushington did not contain any lyrics. Makisupa included the band playing with varied special effects. This setlist is likely incomplete.
SET 1: Alumni Blues > Letter to Jimmy Page > Alumni Blues, The Ballad of Curtis Loew, Sneakin’ Sally Through the Alley
Great, rocking version with an extended vocal jam that includes crazy, animal-like screaming.
, Makisupa Policeman, Big Black Furry Creature from Mars, Flat Fee, Lushington, Suzy Greenberg > Hold Your Head Up > Suzy Greenberg, Mustang Sally, Ya Mar, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday
SET 2: Clod, Slave to the Traffic Light, Swing Low, Sweet Chariot, The Curtain With, McGrupp and the Watchful Hosemasters -> Possum, Harry Hood, Timber (Jerry the Mule), AC/DC Bag, Divided Sky, Harpua > Bundle of Joy > Harpua
SET 3: La Grange, Corinna, Mike’s Song > I Am Hydrogen[1] > Who Do? We Do!, Shaggy Dog, David Bowie[2] -> Jesus Just Left Chicago
ENCORE: She Caught the Katy and Left Me a Mule to Ride
[1] First known “I walk awakening on the misty fields of forever” lyrics.
[2] Unfinished.
This show was dedicated to Eric Larson, who took care of Trey’s dog Marley over the summer. Alumni contained a Wilson tease. HYHU was teased before Suzy. Suzy contained HYHU teases and a Sussudio quote from Trey. Surfin’ Bird was teased after Mustang Sally. Ya Mar was dedicated to Marley and included a Call to the Post tease by Trey. This show featured the first known Hydrogen to contain the lyrics “I walk awakening on the misty fields of forever.” Bowie contained a Streets of Cairo tease from Trey and was unfinished.
SET 1: Peaches en Regalia, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Golgi Apparatus, Wilson, Quinn the Eskimo (The Mighty Quinn), Divided Sky > Good Times Bad Times
SET 2: Fire, AC/DC Bag -> Possum, Fluffhead, Fee, The Curtain With, I Know a Little, Mustang Sally, You Enjoy Myself, La Grange
SET 3: Icculus, David Bowie, Jesus Just Left Chicago[1], Whipping Post, Anarchy, Tush, Dear Mrs. Reagan
[1] First known Phish performance.
Icculus was dedicated to Paul Languedoc’s mother on her birthday. This show featured the first known Phish performance of Jesus Just Left Chicago.
SET 1: Golgi Apparatus > Slave to the Traffic Light, La Grange[1], Lushington[2] -> Possum, Sneakin’ Sally Through the Alley, Timber (Jerry the Mule), Good Times Bad Times, AC/DC Bag, Shaggy Dog, Funky Bitch
SET 2: The Curtain With
The debut includes both the highly composed section we now think of as The Curtain, as well as the flowing and spriralling instrumental section familiar to us as the With jam. Melodies and musical ideas from this classic would later be incorporated into “Reba” and “Rift,” while songs which debuted subsequently, especially “Mockingbird” and “Esther,” both seem to draw inspiration from With.
[3], Halley’s Comet > The Sloth[3], Light Up Or Leave Me Alone -> Skin It Back, Peaches en Regalia, Fluffhead, Fee[3], Harry Hood, Harpua, Suzy Greenberg
SET 3: David Bowie, You Enjoy Myself, Ya Mar, Divided Sky, Flat Fee[3], McGrupp and the Watchful Hosemasters, Corinna
[1] First known Phish performance.
[2] No lyrics.
[3] First known performance.
This show marked the first known performances of The Curtain With, The Sloth, Fee, and Flat Fee, as well as the first known Phish performance of La Grange. Lushington did not contain any lyrics.
SET 1: Wilson > Run Like an Antelope, Golgi Apparatus > Back Porch Boogie Blues > Lushington[1] -> Possum, Harry Hood, You Enjoy Myself, Alumni Blues[2]
SET 2: Fire
[1] No lyrics.
[2] Guests from The Joneses and Mental Floss on rhythm guitar and saxophone.
This show was a co-bill with The Joneses. This setlist may be incomplete, as it was taken from a video that circulates. Lushington did not contain any lyrics. Alumni featured guests from local bands The Joneses and Mental Floss on rhythm guitar and saxophone.
SET 1: You Enjoy Myself, Lushington[1] -> Possum, Slave to the Traffic Light, Sneakin’ Sally Through the Alley, Clod, Peaches en Regalia > The Man Who Stepped Into Yesterday[2] > Avenu Malkenu[3] > The Man Who Stepped Into Yesterday, Makisupa Policeman[4], Ya Mar
SET 2: Divided Sky
First known performance. All performances until 9/24/88 were short, about 4 1/2 minutes long, and contained most, but not all of the composed portions of the complete version.
[2], Funky Bitch, Harpua[2] > Bundle of Joy[2] > Harpua -> Fluffhead, Good Times Bad Times
ENCORE: Golgi Apparatus, Corinna, Letter to Jimmy Page
[1] No lyrics.
[2] First known performance.
[3] First known Phish performance.
[4] Keyword referenced dioxin and Gaddafi.
This show included some funny stage banter, including Trey’s announcement after TMWSIY: “That was called ‘The Man Who Stepped Into Yesterday… and I’m going to get my head sharpened.” Lushington did not contain any lyrics. A set break was announced after Ya Mar, so this is the complete first set. The songs listed as in the second set are believed to have been performed in that set, though it is unknown whether more songs were also performed in the second set, and if there was a third set as well. This show featured the first known performances of The Man Who Stepped Into Yesterday, Divided Sky, Harpua, and Bundle of Joy, as well as the first known Phish performance of Avenu Malkenu. The keyword for Makisupa was “Woke up in the morning, dioxin on my head / Woke up in the afternoon Gaddafi in my bed.”
SET 1: She Caught the Katy and Left Me a Mule to Ride, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Golgi Apparatus, Swing Low, Sweet Chariot, Fire, Skin It Back -> Cities, Lushington
SET 2: Dog Log, Melt the Guns -> Dave’s Energy Guide, Take the ‘A’ Train[1], Halley’s Comet > Quinn the Eskimo (The Mighty Quinn) > AC/DC Bag
SET 3: Peaches en Regalia > Fluffhead, Good Times Bad Times, Anarchy, Makisupa Policeman -> Run Like an Antelope, Boogie On Reggae Woman, Timber (Jerry the Mule)
Debut. First version includes a four minute jam before the final verse with that familiar dark vibe to it.
[2], Slave to the Traffic Light > Sparks > McGrupp and the Watchful Hosemasters > The Ballad of Curtis Loew[2], Come On (Part One)[2], I Am Hydrogen -> Who Do? We Do!
ENCORE: Fuck Your Face[3]
[1] First known Phish performance; Jeff Friedberg on saxophone.
[2] First known Phish performance.
[3] Debut.
This show featured the debut of Fuck Your Face and the first known Phish performances of Take the ‘A’ Train, Timber (Jerry), The Ballad of Curtis Loew, and Come On (Part One). ‘A’ Train featured Jeff Friedberg on saxophone. The Fuck Your Face debut was in dispute for many years, though the Phish.com setlist file seems to confirm that the song was indeed performed on this date.
In the heart of Burlington, Vermont, at the iconic Billings Lounge on the University of Vermont campus, Phish crafted a musical celebration to cap off “Earth Week.” The night, etched into the pages of Phish history, featured a setlist brimming with classics and the debut of two tracks, offering a unique experience for all in attendance.
The opening chords of “Golgi Apparatus” set the tone for an evening filled with musical exploration. The seamless transition into “AC/DC Bag -> Possum” showcased the band’s ability to build momentum and create an energetic atmosphere in the intimate venue.
The elaborate composition of “Fluffhead” followed, with its intricate layers captivating the audience. Phish continued to push boundaries with the ever-evolving “You Enjoy Myself -> Dave’s Energy Guide,” demonstrating their willingness to experiment and defy musical conventions.
A highlight of the night came with the debut of “Punch Me in the Eye,” a track that would go on to become a staple in Phish’s live repertoire. The audience was treated to the first-known performance of “Who Do? We Do!” further adding to the sense of musical discovery.
The set continued with a blend of classics and newer additions to the Phish catalog. “David Bowie” showcased the band’s improvisational prowess, while “Dear Mrs. Reagan > Slave to the Traffic Light” provided a captivating conclusion to the first set.
Setlist:
Phish’s performance at Billings Lounge not only marked the culmination of “Earth Week” but also stood as a testament to their commitment to musical exploration and innovation. The debut of “Punch Me in the Eye” and “Who Do? We Do!” added an extra layer of excitement to an already exhilarating night.
On a crisp Burlington night, the eclectic sounds of Phish reverberated through the intimate confines of Nectar’s, marking another chapter in the band’s musical journey. The date, March 23, 1987, etched itself into the annals of Phish lore as the quartet took the stage at one of their hometown venues, delivering a performance that seamlessly blended humor, experimentation, and musical virtuosity.
The first set kicked off with the familiar strains of “Funky Bitch,” setting the stage for an evening that would feature both beloved classics and the unveiling of new gems. “Mike’s Song > Alumni Blues > Letter to Jimmy Page > Alumni Blues” showcased the band’s improvisational prowess, seamlessly weaving together various musical elements.
The real magic unfolded with “You Enjoy Myself > Sparks,” marking the first-known Phish performance of the latter. The intricate layers of “You Enjoy Myself” enveloped the audience, leading into the debut of “Sparks,” a tune that would become synonymous with Phish’s ability to incorporate diverse genres into their repertoire.
The second set opened with the complex and multi-part epic, “Fluffhead,” captivating the audience with its intricate composition and the band’s tight musical interplay. The debut of “Peaches en Regalia” added a touch of Zappa-esque complexity to the set, showcasing Phish’s willingness to explore a wide sonic spectrum.
A surprise came in the form of the first-known Phish performance of “Ride Captain Ride,” a classic rock gem that the band tackled with their signature flair. “Dave’s Energy Guide” and “Corinna” added further depth to the set, highlighting Phish’s ability to seamlessly transition between genres.
The first set ended with the audience grooving to “Why Don’t You Love Me? > Camel Walk, Golgi Apparatus,” creating an infectious energy that lingered in the air. The set concluded with the spiritual vibes of “Swing Low, Sweet Chariot.”
As comments from the band hinted at a potential third set, the mysteries of that segment remain locked in the vaults. Nonetheless, the known sets were a testament to Phish’s dynamic range and their uncanny ability to captivate audiences with a diverse and evolving musical landscape.
Setlist:
Set 1:
Set 2:
4. Fluffhead
In the intimate confines of Goddard College in Plainfield, Vermont, Phish embarked on a musical journey that transcended expectations and left an indelible mark on the hearts of all those in attendance. This extraordinary performance showcased the band’s irreverent humor, experimental spirit, and a willingness to explore uncharted musical territories.
The first set opened with the infectious groove of “Funky Bitch,” setting the stage for a night of musical surprises. “Good Times Bad Times” and “Corinna” showcased the band’s prowess in blending classic rock with their signature improvisational flair.
“Golgi Apparatus” and “Quinn the Eskimo (The Mighty Quinn) > Sneakin’ Sally Through the Alley” rounded off the first set with a dynamic mix of musical styles, leaving the audience eagerly anticipating what the second set had in store.
The second set kicked off with an unexpected and somewhat mocking rendition of “Free Bird,” marking the first-known Phish performance of the iconic rock anthem. Ninja Mike took the lead vocals, adding a humorous touch to the performance.
A reggae-influenced and extended version of “Happy Birthday to You” was dedicated to “Sue and Debra,” showcasing Phish’s ability to infuse even traditional songs with their unique style. The long, reggae-inflected version added an element of surprise and delight to the set.
The debut of “Tell Me Something Good” featured an unidentified female lead vocalist, adding a soulful and melodic touch to the evening. The audience was treated to the only known performance of “Freeworld,” with Jim Pollock taking on vocal duties, highlighting the band’s commitment to experimentation.
The set concluded with a sequence of “Possum,” the upbeat and quirky “Wilson,” and a soul-stirring rendition of “Slave to the Traffic Light,” providing a fitting climax to an evening filled with musical exploration.
This show at Goddard College was more than a concert; it was a testament to Phish’s ability to weave together a tapestry of diverse sounds and influences. The first-known Phish performances of “Free Bird,” “Tell Me Something Good,” and “Freeworld” added an extra layer of significance to this memorable night.
Setlist:
Set 1:
Set 2:
6. Free Bird (First known Phish performance; Ninja Mike on vocals)
Encore:
13. Slave to the Traffic Light
On a chilly night at the University of Vermont’s Slade Hall on February 21, 1987, Phish defied musical conventions and treated the audience to a night of eclectic and experimental sounds. This performance showcased the band’s evolving style and their willingness to delve into uncharted territories.
The first set kicked off with the first-known Phish performance of “Why Don’t You Love Me?” Setting the stage for an evening of surprises, this debut hinted at the band’s inclination to explore diverse genres and push the boundaries of their repertoire.
The second set, unfortunately with an incomplete setlist, continued the musical odyssey with the complex and intricate “Fluffhead.” The energy heightened with the fiery intensity of “Fire” and the debut of “Suzy Greenberg,” which would become a fan-favorite in Phish’s extensive catalog.
The social and political commentary of “Dear Mrs. Reagan” added a touch of gravitas to the set, showcasing the band’s ability to infuse their music with deeper meaning. The infectious rhythm of “Camel Walk” and the playful “Back Porch Boogie Blues” further emphasized the band’s versatility.
The first-known Phish performance of “Blue Monk” added a jazzy dimension to the set, with Trey playfully introducing the band as “three quarters of the Bob Dylan Band.” The tune included an ‘A’ Train tease from Page, demonstrating the band’s seamless integration of diverse musical influences.
The set continued with the debut of “Clod,” “Lushington,” and the iconic “Peaches en Regalia,” showcasing Phish’s instrumental prowess and their ability to navigate complex compositions.
The introduction of “Swing Low, Sweet Chariot” and the reggae-infused groove of “Boogie On Reggae Woman” marked further departures into unexplored musical realms. The debut of “Ya Mar” and “Corinna” further underscored the band’s willingness to embrace new sounds and styles.
The setlist might be incomplete, but what is evident is Phish’s commitment to delivering a diverse and unpredictable musical experience. The night concluded with a sequence of “Dog Log” and “Alumni Blues > Letter to Jimmy Page > Alumni Blues,” leaving the audience in awe of the band’s ability to seamlessly weave together an array of musical tapestries.
This night at Slade Hall on 02/21/1987 was a snapshot of Phish’s early experimentation and foreshadowed the musical diversity that would define their illustrious career.
Setlist:
Set 1:
Set 2 (Incomplete):
2. Fluffhead
On a frosty winter night at Johnson State College in Vermont, Phish embarked on a musical escapade that would resonate through the ages. The echoes of February 13, 1987, became a testament to the band’s burgeoning creativity and their knack for crafting immersive, genre-defying performances.
The first set kicked off with the infectious rhythm of “Sneakin’ Sally Through the Alley,” setting the tone for an evening of dynamic exploration. “Possum” and “Golgi Apparatus > Slave to the Traffic Light -> Quinn the Eskimo (The Mighty Quinn)” showcased Phish’s ability to seamlessly blend classics with their own unique twist.
The absence of vocals in “Slave to the Traffic Light” and the return to “Alumni Blues” after “Letter to Jimmy Page” added an experimental touch to the set, emphasizing the band’s willingness to push the boundaries of live performance.
A highlight of the evening was the debut of “Suzy Greenberg,” featuring the first-known version with the Dude of Life on vocals. The infectious energy of “Sanity” and the debut of “Good Times Bad Times” further solidified the first set as a tapestry of musical diversity.
The second set opened with the iconic “Wilson,” unleashing a cascade of intricate instrumentals. The debut of “Melt the Guns -> Dave’s Energy Guide” showcased Phish’s improvisational prowess, leading into the multifaceted “Fluffhead” with vocals by the Dude of Life.
The transcendental journey continued with “Harry Hood,” where the Dude of Life’s vocals added an extra layer of enchantment to the intricate composition.
As the final notes reverberated through Johnson State College, it was evident that this night was more than a concert; it was a sonic odyssey, a testament to Phish’s ability to create an immersive musical experience that transcended the ordinary.
Setlist:
Set 1:
Set 2:
8. Wilson
